Gestural strokes of white, pink and grey gouache highlighted by vibrant oranges punctuate Eva Hesse’s ‘No title’ (1969), a late drawing from her seminal, yet brief, career. In ‘No title’, from Hesse’s ‘window’ drawings—a series she began in 1968—the artist allows process to generate form. Semitransparent colors are layered to reveal their ephemerality within a lopsided grid chaotically dismantled in a refusal to maintain ordered compositional elements. Hesse presents a dynamic state of balance between presence and absence, imbuing the irregular grid with a living presence. Offsetting minimalism with expression, Hesse’s dense gestural marks and the repeated application of subtle layers of translucent color characterize the unique formal language she developed across various media, a technique borrowed from her latex and polyester-resin sculptures. Hesse simultaneously worked in drawing, painting and sculpture—with several drawings relating to her sculptures. The lower left inscription, ‘right after,’ recalls the title of Hesse’s notable sculptural work, ‘Right After’ (1969).