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Louise Bourgeois

Untitled
Price available upon request

1953
Painted wood and stainless steel

Unique
129.5 x 30.5 x 30.5 cm / 51 x 12 x 12 in

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‘Untitled’ (1953) is composed of stacked wood elements, painted black and threaded on a central pole. The sculpture is from one of Louise Bourgeois’s most renowned series, the Personages, which she created between the late 1940s and early 1950s. This seminal group of unique wood sculptures, which were later cast in bronze editions, heralded a new chapter of unprecedented artistic expression within Bourgeois’s oeuvre. Considered to be her first mature sculptural works, the Personages express Bourgeois’s sense of psychological loss and guilt in the wake of the Second World War, which began soon after she moved from Paris to New York. The celebrated sculptures have often been understood as ‘surrogates’ for the family and friends Bourgeois left behind. Other examples of wood Personages can be found in some of the most renowned collections around the world, including the Guggenheim Museum, the Moderna Museet in Stockholm, the Louisiana Museum of Modern Art in Humlebæk, as well as the Museum of Modern Art, New York.

‘I was missing certain people that I had left behind. It was a tangible way of recreating a missed past. The figures were presences … It was the reconstruction of the past.’

Louise Bourgeois [1]

Learn about three important works by Louise Bourgeois included in our presentation at Art Basel 2023. This group of works by Bourgeois includes the wooden sculpture ‘Untitled’ (1953), a rare example from her series of Personages, offering a glimpse into the exhibition ‘The God that Failed: Louise Bourgeois, Barnett Newman, Mark Rothko,’ curated by Philip Larratt-Smith at Hauser & Wirth Zurich, Bahnhofstrasse. ‘Spider IV’ (1996) showcases one of the artist’s most distinguished motifs, and ‘One Way Traffic’ (1946) exemplifies the first decade of her practice when she was primarily a painter.

About the artist

Born in France in 1911 and working in America from 1938 until her death in 2010, Louise Bourgeois’s work is inextricably entwined with her life and experiences. For over seven decades, Bourgeois’s creative process was fueled by an introspective reality, often rooted in cathartic re-visitations of early childhood trauma and frank examinations of female sexuality. Articulated by using recurrent motifs (including body parts, houses, and spiders) holding personal symbolism, the conceptual and stylistic complexity of Bourgeois’s oeuvre plays upon the powers of association, memory, fantasy, and fear.

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Artwork images © The Easton Foundation/VAGA at ARS, NY. Photo: Jon Etter
Portrait of Louise Bourgeois © The Easton Foundation/VAGA at ARS, NY. Photo: Mark Setteducati

[1] Louise Bourgeois quoted in Susi Bloch, ‘Interview with Louise Bourgeois,’ Art Journal 35, no. 4 (Summer 1976), p. 373.